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Peter Ablinger
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11	³/LNHWKH&OHDU%OXH6N\´ 3HWHU$EOLQJHU¶V E\(YDQ-RKQVRQ Scale, noise, scale; scale, noise, scale. Peter Ablinger’s for electric guitar and CD is a subset of the 2002 work , comprising the last Add to Reading List Source URL: ablinger.mur.at Language: English - Date: 2008-10-09 17:17:30 Electric guitar Sound Scale Waves Music Musical scales Musical tuning Noise Pitch
12	Björn Gottstein %HUOLQ Im Werkkommentar zu seinem Stück 4XDGDUWXUHQ,9 6HOEVWSRUWUDLWPLW%HUOLQ schreibt Peter Ablinger: "Die Musik beobachtet die Wirklichkeit." In den 4XDGUDWXUHQ Add to Reading List Source URL: ablinger.mur.at Language: German - Date: 2013-07-19 14:46:04
13	Beyond the boundaries of music some connections in Peter Ablinger’s work by Sergio Bové What is new and which affects the idea of the work comes not necessarily from the internal recasting of disciplines, but rather f Add to Reading List Source URL: ablinger.mur.at Language: English - Date: 2013-11-22 16:52:06 Monochrom Pranksters Roland Barthes Noise Aleatoric music Politics Continental philosophy Music Culture jamming Internet culture
14	Carlos Bermejo Seven projections in the music of Peter Ablinger Peter Ablinger’s works take very different forms: compositions for various instrumental combinations, Add to Reading List Source URL: ablinger.mur.at Language: English - Date: 2014-03-06 07:25:29 Mental processes Noise Luigi Nono Karlheinz Stockhausen Perception Serialism Gérard Grisey Spectral music White noise Music 20th-century classical music Post-tonal music theory
15	Anny Ballardini: An Interview with Peter Ablinger after the performance of "voices and piano" with Nicolas Hodges on the piano at the Brunnenburg, Merano, Italy during the festival "Transart". Add to Reading List Source URL: ablinger.mur.at Language: English - Date: 2005-05-02 11:59:30 Politics Contemporary art Entertainment Noise Monochrom Timbre
16	Between representation and self-reference MIMESIS AND NOISE in Peter Ablinger by Chico Mello Add to Reading List Source URL: ablinger.mur.at Language: English - Date: 2008-08-12 06:42:16 Narratology Alexander Graham Bell Thomas Edison Audio storage Mimesis Poetics Sound recording and reproduction Phonograph Gramophone record Humanities Linguistics Literature
17	Peter Ablinger NO TRANSGRESSION The change between concert- and installationpieces, to me has nothing to do with transgressing (– in what direction would that be?) As a child I painted, wrote poetry, composed. Today I Add to Reading List Source URL: ablinger.mur.at Language: English - Date: 2008-09-08 18:58:16 Anthropology of religion Shamanism Spirituality Here I Am Imagine Criticism Motivation Literature Behavior Arts
18	G. Douglas Barrett Peter Ablinger: Music and its Others Throughout this essay I will use the concept of “otherness” in relation to music to describe what has historically been considered as outside of the Add to Reading List Source URL: ablinger.mur.at Language: English - Date: 2011-01-16 17:13:54 Modern art Modernism Experimental music Musique concrète Pierre Schaeffer Luigi Russolo The Art of Noises Image noise Electroacoustic music Music Noise Experimental composers
19	Between Noise and Language: The Sound Installations and Music of Peter Ablinger G. Douglas Barrett I am not a musician by profession and therefore, I have no acoustical prejudices, nor works to defend. I am a futurist pa Add to Reading List Source URL: ablinger.mur.at Language: English - Date: 2009-12-01 16:39:19 Pierre Schaeffer Experimental music genres Experimental music Noise Luigi Russolo Arnold Schoenberg Modernism John Cage The Art of Noises Music Experimental composers Musique concrète

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